All the oil paintings of Giovanni Battista Tiepolo

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ID	Image	Painting(From A to Z)	Details
41185		A Genius on Pegasus Banishing Time	mk157 Fresco Diameter
51260		A Seated Man and a Girl with a Pitcher	c. 1755 Oil on canvas, 160 x 54 cm
62191		Abraham and Angels	mk280 Oil on canvas 197 x 151cm
92373		Abraham und die Engel, Pendant zu Hagar und Ismael	Date Deutsch: um 1732 English: c. 1732 Medium oil on canvas Dimensions Deutsch: 140 X 120 cm
51259		Adoration of the Magi	1753 Ol on canvas, 408 x 210 cm
84142		Alexander der Grobe und Campaspe im Atelier des Apelles	c. 1725-1726 Medium Oil on canvas Dimensions Deutsch: 54 x 74 cm cjr
87961		Alexander der GroBe und Campaspe im Atelier des Apelles	Oil on canvas Dimensions Deutsch: 54 x 74 cm cyf
62182		Alexander in the studio	mk280 Oil on canvas 57.4 x 84.2cm
52206		Allegory of Merit Accompanied by Nobility and Virtue	1757-58 Fresco, 1000 x 600 cm
79659		Allegory of the Planets and Continents	185.4 x 139.4 cm Oil on canvas 185.4 x 139.4 cm) cjr
83661		Allegory of the Planets and Continents	1752(1752) Medium Oil on canvas Dimensions 185.4 x 139.4 cm cyf
86048		Anbetung der Heiligen Drei Konige	Date 1753(1753) Medium Oil on canvas Dimensions 425 x 211 cm (167.3 x 83.1 in) cjr
51305		Angelica Carving Medoro's Name on a Tree	1757 Fresco, 20 x 160 cm
62179		Anthony portrait	mk280 Oil on canvas 102 x 90cm
62177		Apollo and Daphne	mk280 Oil on canvas 96 x 79cm
51270		Apollo and the Continents	1752-53
51271		Apollo and the Continents	1752-53
63761		Apollo and the Continents	1752-53 Fresco, 1900 x 3050 cm Stairwell of the Residenz, W?rzburg The picture shows an overall view of the ceiling, photographed from below. The perspectival distortion at the edges of the overall view of the ceiling fresco tell us that this was never intended as a vantage point for the visitor. Instead, the fresco was to open out to the viewer as he ascended the staircase. Apollo is portrayed in the centre of the heavens, Venus and Mars rest on a cloud below him, while the zodiac appears on a band behind them with the four seasons to the left. The Horae can be recognized by their butterfly wings. The upper part of the fresco is meant to be viewed from the opposite angle and shows Mercury and, a little below him, the gods Diana, Jupiter and Saturn. The composition of the ceiling fresco takes into account the many viewpoints available to the visitor, who changes direction several times during his climb up the stairs, and who cannot take in the whole fresco at a glance. Tiepolo's achievements in composing this fresco are twofold: he takes into consideration the way in which only parts of the fresco are visible to the viewer as he climbs, and he presents independent pieces which nevertheless fuse into a harmonic whole. From the foot of the stairs the viewer first sees the continent of America, whose personification points with outstretched arm to a banner showing the mythical creature the griffin, a first allusion to the client. On entering the stairwell, a wider picture is revealed, giving a view of the dramatic cloud formations which push open the skies, and of the figure of Apollo, bathed in radiant light. Halfway up the first flight of stairs, more of the long sides of the fresco are revealed, with Africa on the right and Asia on the left. The groups of figures await the visitor almost like a court society. After this first flight, the viewer must change direction and now sees the portrayal of Europe for the first time on the short side opposite. The flourishing arts are symbolized here, partly personified by the artists involved in the construction of the Residence. Above them, the Prince-Bishop's portrait medallion is borne aloft through the heavens by geni and allegorical figures. Like Apollo, who cannot be seen from here, it too lets its light shine forth over the world. In comparison to the other Continents, the Europa fresco is statically conceived. This, and the sometimes frontal arrangement of its figures, causes the viewer to pause and so constitutes a first high point on the way to the Imperial Hall. The fresco was, therefore, never laid out with an overall view in mind, and the criticisms of the largely empty areas of sky at its centre which were later to be frequently voiced, are thus unfounded. Instead we are captivated by the harmonic perfection through which both architecture and painted decoration serve the same purpose: the magnificent staging of the ceremonial path through the Residence.Artist:TIEPOLO, Giovanni Battista Title: Apollo and the Continents Painted in 1701-1750 , Italian - - painting : mythological
86287		Apollo and the Continents	between 1752(1752) and 1753(1753) Medium Oil on fresco cyf
61037		Apotheosis of Spain in Royal Palace of Madrid.	Apotheosis of Spain in Royal Palace of Madrid.
97864		Boy Holding a Book	oil on canvas, New Orleans Museum of Art Date c. 1747-50 cyf
53840		Brollopsallegori	mk234 1758
20704		Carnival Scene or the Minuet (mk05)	Canvas 32 x 43 1/2''(81 x 111 cm)Pendant to The Tooth Puller Collection of Count Algarotti,Venice 1779;Beaqueathed in 1938
63767		Christ Carrying the Cross	1737-38 Oil on canvas, 450 x 517 cm Sant'Alvise, Venice The subject of the painting is Christ's carrying of the cross to the hill of Golgotha, which rises up in the centre of the picture as a tall rock, the crosses already erected upon it. Directly beneath it in the foreground we see Christ in a flame red robe. He has collapsed under the heavy weight of the cross. To the right, Veronica, holding the sudarium, turns away from the dramatic scene, visibly moved. To the left, the two thieves likewise condemned to crucifixion are being led forward. In the exact centre of the picture, between Christ's cross and the hill of Golgotha, and directly facing the viewer, are the figures of Jesus' disciples, together with Mary and Mary Magdalene. Brightly illuminated, they stand out symbolically from the other figures.Artist:TIEPOLO, Giovanni Battista Title: Christ Carrying the Cross Painted in 1701-1750 , Italian - - painting : religious
20709		Christ with the Woman Taken in Adultery (mk05)	Canvas 44 x 70 1/2''(112 x 179 cm)Bequeathed in 1961;entered the Louvre in 1977 R.F
41186		Cleopatra-s Banquet	mk157 1746-47 Fresco 650x300cm
86460		Danae und Zeus	c. 1736 Medium Oil on canvas Dimensions Deutsch: 41 x 53 cm cjr
83411		Das Bankett der Cleopatra	1743-1744 Medium Oil on canvas Dimensions Deutsch: 249-349 cm cyf
61032		Death of Hyacinth.	Death of Hyacinth.
98248		Der Raub der Europa	oil on canvas Dimensions 99 x 134 cm cyf
41174		Diana and Actaeon	mk157 1720-22 Oil on canvas 10x135cm
93686		Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment,	c. 1740 Medium oil on canvas cjr
90190		Die Enthauptung Johannes des Taufers	c. 1732 Medium oil on canvas cjr
88092		Die Verstobung der Hagar	1719(1719) Medium Oil on canvas Dimensions Deutsch: 96 x 136 cm cjr
51264		Discovery of the True Cross	c. 1745 Oil on canvas
41156		Donation of the Rosary	mk157 1738-39 Fresco 1400x450cm
63764		Education of the Virgin	1732 Oil on canvas S. Maria della Consolazione (Fava), Venice The figures in this altarpiece are portrayed more as the heroines of noble dramas than as saints. They combine true pathos with elegant sensuality, as if they were creatures of some higher human species. At the same time, however, they are firmly linked to our sense of everyday life through the descriptive details which are so naturalistic as to border on trompe-l'oeil. In the centre of the representation, in front of a magnificent architectural backdrop, stands Mary as a young girl, reading from an open book, and instructed by her mother, who sits next to her. Her father, standing to her right, is deep in prayer and has his eyes raised towards Heaven. What is striking about the composition, is the diagonal line which runs from the three angels' heads beneath the book to the three large angels above Mary, and which symbolizes the way to the Kingdom of Heaven.Artist:TIEPOLO, Giovanni Battista Title: Education of the Virgin Painted in 1701-1750 , Italian - - painting : religious
91232		Ein junger Fahnentrager	first half of 18th century Medium oil on canvas Dimensions 87 x 71,5 cm cjr
29986		Erection of a Statue to an Emperor	mk67 Oil on cavnas 163 7/8x68 1/4in Uffizi,Gallery
88477		Erscheinung der Madonna vor dem Hl. Philippus Neri	1739-1740 Medium Oil on canvas Dimensions 360 x 182 cm (141.7 x 71.7 in) cjr
90999		Erziehung Mariens	c. 1732 Medium oil on canvas Dimensions Deutsch: 362 x 200 cm cjr
90756		Eteokles und Polyneikes	c. 1725-1730 Medium oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
51300		Eurybates and Talthybios Lead Briseis to Agamemmon	1757 Fresco, 300 x 280 cm
62178		Giovanni II as	mk280 Oil on canvas 271 x 182cm
63772		Glory of Spain	1762-66 Fresco, 2700 x 1000 cm Throne Room, Palacio Real, Madrid The loading of a European ship with the treasures of the American continent is depicted in a direct allusion to the discovery of America by Christopher Columbus and to the Spanish conquest of the New World in the l6th century. The two Red Indians in the foreground, who throw themselves to the ground in front of the ship, symbolize the Europeans' victory over the natives.Artist:TIEPOLO, Giovanni Battista Title: Glory of Spain (detail) Painted in 1701-1750 , Italian - - painting : mythological
63773		Glory of Spain	1762-66 Fresco, 2700 x 1000 cm Throne Room, Palacio Real, Madrid The sea-goddess Thetis hovers on a cloud, together with her spouse Oceanus, and holds aloft a shell filled with treasures. Tritons and Nereids, who are meant to symbolize the riches of the sea, accompany the scene. The attempt to bridge the austere Classical golden frame using the group of figures and the orange tree at the lower edge of the picture (possibly a personification of the Province of Aragon), and to create the typical connection between the fresco and the space occupied by the viewer does not succeed here.Artist:TIEPOLO, Giovanni Battista Title: Glory of Spain (detail) Painted in 1701-1750 , Italian - - painting : mythological
33802		Hagar and Ismael in the Widerness	mk86 c.1732 Oil on canvas 140x120cm Venice,Scuola di San Rocco
21925		Hagar and Ismael in the Widerness (mk08)	c.1732 Oil on canvas 140x120cm Venice,Scuola di San Rocco
89247		Hagar und Ismael, Pendant zu	c. 1732 Medium oil on canvas Dimensions Deutsch: 140 x 120 cm cjr
92292		Hannibal betrachtet den Kopf des Hasdrubal	oil on canvas Dimensions Deutsch: 383 X 182 cm cyf
87551		Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig	c. 1725-1730 Medium Oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
63765		John the Baptist Preaching	1732-33 Fresco, 350 x 300 cm Cappella Colleoni, Bergamo The impressive figure of John the Baptist, delivering his sermon with raised forefinger from the top of a rock in the landscape, dominates the right-hand side of the picture. His cross staff and the lamb at his feet refer to the fate of Christ. The left-hand side of the picture is almost completely taken up by men, women and children, who listen spellbound to the sermon. The young woman placed in the very centre of the picture breast-feeding her child, who thus conforms to the standardized portrayal of the Madonna and Child, can be understood as an allusion to the birth of Christ, which is the subject of John's sermon.Artist:TIEPOLO, Giovanni Battista Title: John the Baptist Preaching Painted in 1701-1750 , Italian - - painting : religious
62176		Joseph received the hand of Pharaoh, Central
74987		Junge Frau mit Papagei	c. 1758-1760 Oil on canvas cjr
76744		Junge Frau mit Papagei	English: c. 1758-1760 Medium Oil on canvas cyf
63759		Jupiter and Dana	1736 Oil on canvas Universitet Konsthistoriska Institutionen, StockholmArtist:TIEPOLO, Giovanni Battista Title: Jupiter and Dana? Painted in 1701-1750 , Italian - - painting : mythological
70765		konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud	1725-30 pa duk vardera 182x383cm se
70766		konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud	1725-30 pa duk vardera 182x383cm se
62186		Lantos s death	mk280 Oil on canvas 287 x 232cm
51267		Last Communion of St Lucy	1747-48 Oil on canvas, 222 x 101 cm
71959		Le martyr de Saint Barthelemy Huile	Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise
89262		Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes	c. 1740 Medium oil on canvas Dimensions Deutsch: 340 x 168 cm cjr
52190		Madonna of the Goldfinch	c. 1760 Oil on canvas
41056		Maeccenas Presenting the Liberal Arts to Augustus	mk159 1743 Oil on canvas 69.5x89cm
62181		Mandolin played the young woman	mk280 Oil on canvas 92.1 x 74.9cm
1615		Mercury Appearing to Aeneas	1757 Villa Valmarana, Vicenza
41172		Miracle of the Holy House of Loreto	mk157 1744-45 Oil on canvas 1744-45
62185		NA ER where more and Amida in the garden	mk280 Oil on canvas 186.8 x 259.9cm
86750		Neptun bietet der Stadt Venedig Opfergaben	Date 1748-1750 Medium Oil on canvas Dimensions Deutsch: 135 x 275 cm cjr
91632		Neptun bietet der Stadt Venedig Opfergaben	1748-1750 Medium oil on canvas Dimensions Deutsch: 135 X 275 cm cyf
41129		Neptune Bestowing Gifts upon Venice	mk157 1748-50 Oil on canvas 135x275cm
62184		Opening time the truth	mk290 Oil on canvas 231 x 167cm
90777		Opfer der Iphigenie	Mid-18th century Medium oil on canvas Dimensions Deutsch: 53 x 41 cm cjr
62175		Our Lady of the education	mk280 Oil on canvas 262 x 200cm
41158		Pala delle Tre Sante	mk157 c.1748 Oil on canvs 340x168cm
31786		Perseus and andromeda	mk76 Painted probably in 1730 Oil on paper,affixed to canvas 20 3/8x16in
38194		Perseus and Andromeda	mk29 c.1730 Oil on paper affixed to canvas 51.8x40.6cm
62183		Pilgrims son	mk280 Oil on canvas 228 x 160cm
41216		Portrait of A Procurator and Admiral From the Dolfin family	mk157 1749-50 Oil on canvas 235x158cm
1619		Portrait of Antonio Riccobono	1743-45 Pinacoteca dell'Accademia dei Concordi, Rovigo
88969		Portrat des Antonio Riccobono, Fragment	c. 1745 Medium oil on canvas Dimensions Deutsch: 120 x 90 cm cjr
77547		Portrat eines Prokurators	ca. 1750(1750) Oil on canvas 235 ?? 158 cm (92.5 ?? 62.2 in) cjr
20706		Presenting Christ to the People (Ecce Homo) (mk05)	Canvas 26 x 17''(66 x 43 cm)Given in 1949;entered the Louvre in 1974
28685		Queen Zenbia before Emperor Aurelian	mk61 c.1717 Oil on canvas 250x500cm
53841		Queen Zenobia talk to their soldiers	mk234 about 1730 262x366cm
33800		Rachel Hiding the Idols from her Father Laban	mk86 1726-1728 Fresco,Height c.500cm Width c.400cm Udine,Palazzo Arcivescovile
21923		Rachel Hiding the Idols from her Father Laban (mk08)	1726-1728 Fresco,height 500x400cm Udine,Palazzo Arcivescovile
20705		Rebecca at the Well (mk05)	Canvas 33 x 41''(84 x 105 cm)Given by the Comtesse Bismarck in 1975;entered the Permanent collection in 1981 R.F
51306		Rinaldo Abandoning Armida	1757 Fresco, 220 x 310 cm
29989		Rinaldo Abandons Armida	mk67 Oil on canvas 27 9/16x52in Uffizi,Gallery
33799		Rinaldo and Armida	mk86 1753 Oil on canvas 104.8x143cm Munich,Bayerische Staatsgemaldesammlungen
21922		Rinaldo and Armida (mk08)	1753 Oil on canvas 104.8x143cm Munich,Bayerische Staatsgemaldesammlungen
29988		Rinaldo Sees Himself in Ubaldo's Shield	mk67 Oil on canvas 27 3/16x52in Uffizi,Gallery
90188		Rinaldo und Armida werden von Ubaldo und Carlo uberrascht	1755(1755) Medium oil on canvas Dimensions Deutsch: 187 x 260 cm cjr
91210		Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde	c. 1753 Medium oil on canvas Dimensions Deutsch: 39 x 62 cm cjr
73376		Saint barthelemy	Date of birth/death 5 March 1696(1696-03-05) 27 March 1770 cyf
62190		Saint Joseph and the Son	mk280 Oil on canvas 63 x 38cm
43272		Saints Maximus and Oswald	mk170 circa 1745 Oil on canvs 58.4x32.4cm
58457		Samson	mk261 years 1660 Oil Painting on canvas 128 x 97.5 cm
33801		Sarah and the Archangel	mk86 1726-1728 Udine,

Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.